The remodeling also involved a shift in the balance of power, with private patrons coming to control the virtual totality of the church. Music thus helped organize key areas that had undergone architectural transformations, linking each part of the building to the specific rituals performed there through special sounds directed at the likely participants. This special role of music came into focus in the early 1470s and even more in the 1480s, when subsequent priors increased the musical activities, possibly to negotiate the new spatial features of the church after a consequential remodeling. In the late fifteenth century different musical styles and repertories came to define ritually the composite space of the church, one of the main houses belonging to the mendicant order of the Servants of Mary. ![]() Detailed payment records and notes preserved in the Archivio di Stato di Firenze allow us to reconstruct the relationship of music and space in the Florentine church of Santissima Annunziata.
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